Your friendly neighbourhood study buddy part 2
Once again, feel free to ignore this.
TEXTURE
Monophony - a single line of melody without accompaniment (single strand)
Polyphony - two or more independent lines that interweave (multiple strand - eg counterpoint. Don't even get me STARTED on counterpoint!!)
Homophony - two or more parts moving together (parallel strand). These are hierarchically structured (don't ask why, I don't know, they just are): melody and accompaniment, melody and drone or block chords.
Heterophony - several different versions of the same melody played simultaneously
Split aural focus - call and response (alternating strands)
Homogenous textures - textures that rely on a centralised or agreed concept of time or musical gesture (pretty much anything with a time signature, then)
Heterogenous textures - no definition, so I made one up. Ready? A texture without a centralised or agreed concept of time or musical gesture (so just whatever, whenever - pretty random. Edgar Varese, Poem Electronique??)
CHANGING A MUSICAL TRADITION (this should be under syncretism, fixed and mobile tradtions - sorry. See previous study buddy post)
1) Provide a new context/recontextualisation - placing a recognised sound in a new environment.
2) Change the role of the instrument, extend or introduce a new instrumental technique. (Eg Stravinsky, Rite of Spring opening - bassoon in the top of its register. Like, who does that? :-p)
3) Changing the instrument's traditional mode of performance (see John Cage and his wacky prepared piano. This guy put lots of junk in his piano - pieces of fabric around the hammers, nails in the strings. We did it at school once to an old piano - it never worked properly again after that. And boy does it make a hideous noise!!!!)
DYNAMICS
They indicate loudness or softness in the music. They're relative - you can't say "Well, this many decibels equals mf."
ff - fortissimo (very loudly)
f - forte (loudly)
mf - mezzo forte (moderately loudly)
mp - mezzo piano (moderately softly)
p - piano (softly)
pp - pianissimo (very softly)
One dude (Tchaikovsky??) used SIX p's in one of his pieces!
pppppp - pianissississississimo. (just pack up and go home, cos no one'll be able to hear you anyway it's that quiet)
(no, I'm not making it up - http://en.wikipedia.org/wiki/Dynamics_%28music%29)
crescendo, diminuendo, decrescendo - yeah yeah yeah.
Dynamics add colour and interest. Canned music (music played at a constant mf) is boring. If you can't play dynamics, why are you playing, is the general idea. (Guess I'd better work on mine)
Cool, I think I'm done. Yay :-)
P.S. If you read this, you deserve a medal. Or I could shout you a drink??? (heh, now let's see how many ppl read and comment ;-)
TEXTURE
Monophony - a single line of melody without accompaniment (single strand)
Polyphony - two or more independent lines that interweave (multiple strand - eg counterpoint. Don't even get me STARTED on counterpoint!!)
Homophony - two or more parts moving together (parallel strand). These are hierarchically structured (don't ask why, I don't know, they just are): melody and accompaniment, melody and drone or block chords.
Heterophony - several different versions of the same melody played simultaneously
Split aural focus - call and response (alternating strands)
Homogenous textures - textures that rely on a centralised or agreed concept of time or musical gesture (pretty much anything with a time signature, then)
Heterogenous textures - no definition, so I made one up. Ready? A texture without a centralised or agreed concept of time or musical gesture (so just whatever, whenever - pretty random. Edgar Varese, Poem Electronique??)
CHANGING A MUSICAL TRADITION (this should be under syncretism, fixed and mobile tradtions - sorry. See previous study buddy post)
1) Provide a new context/recontextualisation - placing a recognised sound in a new environment.
2) Change the role of the instrument, extend or introduce a new instrumental technique. (Eg Stravinsky, Rite of Spring opening - bassoon in the top of its register. Like, who does that? :-p)
3) Changing the instrument's traditional mode of performance (see John Cage and his wacky prepared piano. This guy put lots of junk in his piano - pieces of fabric around the hammers, nails in the strings. We did it at school once to an old piano - it never worked properly again after that. And boy does it make a hideous noise!!!!)
DYNAMICS
They indicate loudness or softness in the music. They're relative - you can't say "Well, this many decibels equals mf."
ff - fortissimo (very loudly)
f - forte (loudly)
mf - mezzo forte (moderately loudly)
mp - mezzo piano (moderately softly)
p - piano (softly)
pp - pianissimo (very softly)
One dude (Tchaikovsky??) used SIX p's in one of his pieces!
pppppp - pianissississississimo. (just pack up and go home, cos no one'll be able to hear you anyway it's that quiet)
(no, I'm not making it up - http://en.wikipedia.org/wiki/Dynamics_%28music%29)
crescendo, diminuendo, decrescendo - yeah yeah yeah.
Dynamics add colour and interest. Canned music (music played at a constant mf) is boring. If you can't play dynamics, why are you playing, is the general idea. (Guess I'd better work on mine)
Cool, I think I'm done. Yay :-)
P.S. If you read this, you deserve a medal. Or I could shout you a drink??? (heh, now let's see how many ppl read and comment ;-)
6 Comments:
At October 21, 2005 5:55 pm, Trevor said…
Well, I read it! It didn't make much sense, and I couldn't really regurgitate any of the information for you, but I read it. I was interesting the John Cage fella and changing the noise of the piano. Gives me an idea cause i have a piano that's probably beyond serious repair...hmm, the possiblities.
At October 21, 2005 6:40 pm, Anonymous said…
yoyo nicol-o
what up? that's totally rad narly sick cool awesome super choice bro... you should start your own band...
At October 21, 2005 10:07 pm, Gloz said…
i learned all those ff,f,mf,mp,p and pp when i was in primary school music lessons, those were the days...lol
At October 23, 2005 11:30 am, Anonymous said…
ARGH! Glad I don't have to do that anymore! Brought back some nightmares for me :D
At October 23, 2005 4:36 pm, Anonymous said…
Ahhhh .. Dynamics!!! I like the good old fffffffffffffffffffffffffff...
I find it disturbs the neighbours a bit though...
At November 03, 2005 8:15 am, Anonymous said…
besides the little words i didn't get a word of that
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